Self Portrait, Yawning

Caught mid yawn, the artist throws his head back with his mouth wide open and his arm lifted in an almost theatrical gesture. It feels spontaneous, even awkward, like a private moment accidentally shared. There is no attempt to appear noble or composed. Instead, the painting captures a fleeting human action that everyone recognizes but rarely sees frozen in time.

Ducreux was known for experimenting with expression, and this self portrait breaks sharply from the formal rules of eighteenth century portraiture. At a time when sitters were expected to appear calm and dignified, he chose humor and honesty. The exaggerated pose turns the artist into both subject and performer, inviting the viewer to smile rather than admire from a distance. More than a likeness, the painting becomes a quiet rebellion against convention, reminding us that art can observe human behavior with curiosity, warmth, and a sense of play.