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The Great Table by René Magritte

The Great Table

Two enormous pieces of fruit, a pear and an apple, sit side by side in an empty landscape that stretches toward a soft, dreamy horizon. René Magritte painted "The Great Table" in 1964, near the end of a long career spent turning ordinary objects into puzzles. The fruit looks strange here, with a stony, weathered surface that makes it seem more like sculpture or rock than something you would eat. By blowing these everyday items up to a gigantic scale and placing them in a barren setting, Magritte makes us pause and look at them in a way we never normally would.

Magritte was a Belgian artist closely tied to the Surrealist movement, a group known for painting dreamlike scenes that mix the familiar with the impossible. He loved playing with our expectations, and his calm, almost flat painting style only adds to the quiet oddness of his work. There is no hidden trick to fully explain here, just the simple pleasure of seeing common fruit transformed into something monumental and a little mysterious. It is a good example of how Magritte could make us question things we usually take for granted.

More by René Magritte
The Empire of Light
The False Mirror
The Treachery of Images
The Lovers
The Empire of Light (2)
The Banquet

Similar subjects

Burlesque
The Great Masturbator
The Persistence of Memory
The Sleeping Gypsy
The Face of War
Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening
Soft Construction with Boiled Beans
Cabeza de vaca
Christ of Saint John of the Cross
The Empire of Light (2)
The Empire of Light
Apollo's Chariot
Surrealism
The False Mirror
The Treachery of Images
The Lovers
The Great Table

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The Water Lilies, Green Reflections, right