Skip to content
Click to preview on a wall
My Country 1995 (rotated) by Emily Kame Kngwarreye

My Country 1995 (rotated)

By Emily Kame Kngwarreye, 1995

This expansive painting pulses with clusters of pale lavender and white forms that seem to float against a deep burgundy and black background. Created by Emily Kame Kngwarreye, one of Australia's most celebrated Indigenous artists, the work captures the essence of her ancestral land in the remote Utopia region of the Northern Territory. The rounded shapes might suggest native yams, wildflowers after rain, or the sacred sites scattered across her country, though Kngwarreye's art often resists simple interpretation.

Remarkably, Kngwarreye didn't begin painting on canvas until she was in her late seventies, yet she produced thousands of works in just eight years before her death in 1996. Her paintings draw from decades of ceremonial body painting and batik work, translating traditional knowledge and spiritual connection to land into bold, contemporary forms. The repetitive dotting technique creates an almost hypnotic rhythm across the surface, inviting viewers to lose themselves in the pattern while contemplating the deep time and stories embedded in the Australian landscape she knew so intimately.

More by Emily Kame Kngwarreye
Anwerlarr angerr
Awley
Summer Celebration (section)
Untitled 2
Summer Flowers II (rotated)
Summer Flowers II (rotated, section)
Batik
My Country (rotated)
Alhalker I (rotated)
Untitled 3
Arlatyite (Wild Yam) Dreaming
State of My Country
Untitled
Australian Aboriginal
Untitled 2
Anwerlarr angerr
Untitled 3
Awley
Summer Celebration (section)
Untitled
Alhalker I (rotated)
Summer Flowers II (rotated, section)
My Country 1995 (rotated)
Arlatyite (Wild Yam) Dreaming
Summer Flowers II (rotated)
My Country (rotated)
Batik
State of My Country

Similar tones

Jeune Fille au piano
Mao
Mao II
Forest of Fontainebleau
The Lictors Bring to Brutus the Bodies of His Sons
La grande odalisque
Cotopaxi
The painter in his bed
Daybreak
La maja desnuda
Liberty Leading the People
Abstract No2