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painted on 21st street by Helen Frankenthaler

painted on 21st street

Helen Frankenthaler made this painting in 1950, back when she was fresh out of college and still figuring out what kind of artist she wanted to be. The title comes from something wonderfully ordinary: she was living and working on 21st Street in New York, so that is simply what she called it. Those were exciting years to be a painter in the city, with Abstract Expressionism catching fire and turning New York into the beating heart of the art world. She was young, ambitious, and soaking it all in.

Pale creams, soft beiges, and chalky whites cover most of the canvas, with quick scribbles and dark smudges scattered across the surface. A few small pops of orange, red, and green peek through the muted tones. The whole thing has a worked-over feel, like a wall that has been scrawled on and painted again and again. No people, no objects, just a wide field of marks and gestures for your eye to roam through.

Only a couple of years later, Frankenthaler would hit on her famous "soak-stain" method, pouring watery paint onto bare canvas so it seeped in like dye. This piece comes before all that, a snapshot of her still testing and tinkering. She is not yet the confident colorist history remembers, but you can sense a young painter enjoying the freedom to experiment.

More by Helen Frankenthaler
Riverhead
Western Roadmap
Mineral Kingdom
May Scene
Open wall
Grey Fireworks
Flirt
First Creatures
Covent Garden Study
Untitled
Cool Summer

Similar subjects

Fragment Céleste 5 (rotated)
Fragment Céleste 3 (rotated)
Fragment Céleste 8 (rotated)
Fragment Céleste 7 (rotated)
Traces of Belonging (section, rotated)
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Series 29 (White)
Pink Roses against Potters Pink
Western Roadmap
Untitled (section 2)
Untitled (section 3)
Untitled
Colour Field
Contemporary Art

Similar tones

View of a Village in Snow
Charing Cross Bridge
Girl Carrying a Basket
Untitled
Flower Abstraction
bella donna
A Geologic Map of Europe
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landscape
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No7 Special