Skip to content
Click to preview on a wall
Fulcrum by Jenny Saville

Fulcrum

By Jenny Saville, 1999

This monumental painting presents a reclining female figure viewed from an unusual overhead perspective, creating a sense of weight and physical presence that feels almost sculptural. Jenny Saville, one of the leading figurative painters of our time, works on a massive scale to challenge traditional representations of the female body in art. Rather than idealizing her subject, she depicts flesh as it actually exists, with all its folds, mass, and imperfections, forcing viewers to confront the reality of physical bodies.

The title "Fulcrum" refers to the pivot point on which a lever balances, and the painting itself seems to explore balance and weight. The composition was inspired by a photograph Saville took from above, positioning the viewer in an almost clinical or voyeuristic relationship with the subject. The flesh tones shift between warm and cool colors, with blues and grays mixing into the peachy pinks, creating a sense of bruising or vulnerability. This approach connects her work to the old masters like Rubens while bringing an entirely contemporary sensibility to how we look at bodies, especially female bodies, in contemporary culture.

More by Jenny Saville
Gaze (section)
Rupture (section)
Reverse (section)
Chasah (section)
Drift (section)
Unveiled
Contemporary Art

Similar tones

The Big wave
Plan of Boston Proper showing changes in street and wharf lines, 1895
Val-Saint-Nicolas, near Dieppe in the morning
A Sunny Winter's Day
The Calm Sea
Canal St Denis
Carte réduite des mers coimprises entree l'Asie et l'Amérique apelées par  les navigateurs mer du sud ou mer pacifique, 1776
View of Paris from Montmartre
Phenomena Falcon's Bell
Young Lady with Lamp; Man and Woman on Veranda of Tea-House
Settler's Log House
white flower